Dolby Atmos
mixing.
Sound that does not just come from left and right but from above and all around. We mix music, film and advertising in Dolby Atmos at our main studio in Frankfurt with 7.1.4 monitoring and deliver the files Apple Music, Tidal, Amazon Music and cinemas require.
Also searched as: Dolby Atmos mix, Atmos mixing studio, spatial audio mix, Dolby Atmos for music, Dolby Atmos for film, 3D audio, immersive sound, 7.1.4 mixing.
Request an Atmos mix →Space instead of stereo.
In Dolby Atmos, sounds are no longer channels but objects in space. A voice stays in front, synths move overhead, atmospheres surround you. On Apple Music, Tidal and Amazon Music this plays as spatial audio, in cinemas and home theatres over speakers, and on phones binaurally over headphones.
We mix in the control room of our main studio in Frankfurt, designed by acoustician Jan Morel, with 7.1.4 monitoring. Larger cinema projects we also mix with partners: the final Atmos mix for the feature film YABADU was done together with Stefan Heger at toruspost in Cologne.
More background, also for labels, in our article Dolby Atmos mixing for music.
Atmos for
every format.
Music in Atmos
Your stems become an Atmos mix for streaming that stays true to your stereo mix and opens it up in space. For singles, albums and catalogues.
Film and series
Cinema and streaming mixes in Atmos, together with dialogue, sound design and music. More on film sound and post-production.
Advertising and brands
Spots, brand films and installations that surround the audience with sound in cinemas, at trade fairs or in a space.
Audiobook and podcast
Radio dramas and narrative formats that work with space. More on audiobooks and radio drama.
Checked binaurally
We also check every mix binaurally over headphones so it holds up on a phone as well as in the room.
Delivery for every platform
ADM BWF for Apple Music, Tidal and Amazon Music, cinema versions and, on request, stereo and 5.1 from the same project so all versions match.
From stems to Atmos master.
Four steps, one point of contact.
Material
You send stems or tracks, the stereo mix as a reference and tell us where the mix will play.
Mixing
We place the elements in space and mix in 7.1.4, with speakers and headphones in mind.
Approval
You listen at the studio in Frankfurt or receive a binaural version for headphones to approve.
Delivery
ADM BWF and all further versions to the specifications of your distributor, label or cinema.
Artists, labels, productions.
Typical clients:
Artists and labels. Atmos versions for new releases and the catalogue, matched to the stereo master.
Film and series productions. Atmos mixes for cinema and streaming, on request including sound post-production.
Agencies and brands. Spots, brand films and spatial sound for cinema, trade fairs and showrooms.
Audiobook and podcast publishers. Immersive versions of narrative formats.
Frequently asked questions
about Dolby Atmos.
It depends on length, track count, format and deliverables. You receive a quote in advance.
For music, stems or individual tracks and the stereo mix as a reference. For film, the dialogue, music and effects tracks from the edit.
The file format in which Atmos mixes are delivered to Apple Music, Tidal, Amazon Music and distributors. We deliver it ready to their specification.
Yes. Streaming services render Atmos binaurally over headphones. We check every mix exactly that way before it goes out.
No, but it is worth it: in 7.1.4 you hear the mix as intended. Alternatively you receive a binaural version to listen to.
Yes. On request we deliver stereo, 5.1 and Atmos from the same project. More on mixing and mastering.
With stems, yes, that is the clean way. If only the stereo mix exists, we talk about an upmix, as we did for a cinema ad in 5.1.
Your mix,
in space.
Tell us what you want to bring into Atmos, how much material there is and where it will play. We will get back to you within 24 hours.